Sample activities from the eBook TEACHING ENGLISH WITH ART: PICASSO


Image 2: Acrobat on a Ball. 1905

Acrobat on a ball, Picasso

Acrobat on a ball, Picasso

Activity 4: speaking. Level A1/A2

  1. Describe the picture. What’s the predominant color?
  2. This is a painting from Picasso’s Rose Period (1904-1906). Everything is kind of pinkish. How was Picasso feeling during this period? Why do you think so?
  3. What does the color pink remind you of?
  4. Who are those people? What’s their relationship? Where do they work?
  5. The girl can stand on a ball. This is difficult to do. What else do you think she can do? Can you do anything difficult? What?

 

Activity 5: speaking. Level A2

  1. What’s this girl like? Tell us about her personality. What about the man?
  2. Describe the girl physically. Now describe the man.
  3. What do you think she likes doing in her free time? What do you like doing in your free time?
  4. Do you like the circus? What do you usually see in the circus?
  5. Pair work: students are divided into A and B. Student A lists the positive points of a circus. Student B disagrees and says why.
  6. Make a poster of a circus (a drawing or a collage or both) and present it to the class.

Activity 6: writing. Level B1/B2

  1. Write a composition imagining what your life would be like if you worked for a circus. Tell us about your job. What you usually do. The different kinds of people you work with. Do your relatives work there too? Who? (Do some research on the Internet to find out what kind of life circus people live. Use your own words in the composition. 400 – 700 words).
  2. Read your partner’s composition. Help her correct some mistakes and ask questions to help her write a more complete and better composition. Then ask her to help you with yours.

For more info about the series TEACHING ENGLISH WITH ART: Click on the link below to go to AMAZON.COM and get your ebooks: http://wp.me/p4gEKJ-1lS

Click on the image above to access the KINDLE STORE: Teaching English with Art: Matisse, Picasso, Caravaggio, Monet, Norman Rockwell

Click on the image above to access the KINDLE STORE. Teaching English with Art: Matisse, Picasso, Caravaggio, Monet, Norman Rockwell

Au revoir Jorge Sette

Teaching English with Art (video)


Teaching English with Art: the ENGLISH LANGUAGE LEARNING materials you have been waiting for:

 

 

TEACHING ENGLISH WITH ART: MATISSE. Click here for more info: http://wp.me/p4gEKJ-1kP

 

TEACHING ENGLISH WITH ART: PICASSO. Click here for more info: http://wp.me/p4gEKJ-1lA

 

‪#‎matisse ‪#‎picasso ‪#‎fauvism ‪#‎cubism ‪#‎moma ‪#‎tate ‪#‎teachingenglish ‪#‎language ‪#‎learningenglish

Teaching English with Art: make your online lessons stand out


Ideal for online lessons!!

If you are having any of the following problems, we can help you…

a. Are your students often bored during the English class? b. Don’t they know what to say when you set up speaking activities? c. Do you spend the weekend correcting writing assignments that don’t seem to help them improve? d. Is it hard to personalize productive skills and link the English lesson to the other subjects in the school curriculum? e. The students know nothing about Art and high culture in general. 

Click on each of the pictures below to get your copy from the KINDLE STORE:

Click on the image above to go to Amazon.com

Click on the image above to go to Amazon.com

Click on the image above to get your copy from the KINDLE STO

Click on the image above to get your copy from the KINDLE STORE.

Click on the picture above to get your copy.

Click on the picture above to get your copy.

Teaching English with Art: Norman Rockwell

Click on the image above to download the eBook.

Teaching English with Art

Click on the image to download the ebook.

Teaching English with Art: Picasso

Click on the image to download the eBook.

Click on the image to download the eBook

Click on the image to download the eBook

Teaching English with Art: Monet.

Click on the image to download the eBook.

Teaching English with Art is the series for you! This eBook series is a wonderful supplement to any coursebook or extra materials your students may already be using in the English class. Each volume contains 30 speaking and writing activities for classroom use based on some of the most striking works by famous artists: for now we have MATISSE, PICASSO, CARAVAGGIO, MONET, NORMAN ROCKWELL, WINSLOW HOMER, a special three-in-one volume of MONET + PICASSO + MATISSE (90 activities), and we’ve just launched VAN GOGH.

IMPORTANT NOTE:

PERSONALIZATION: if you wish to change the cover of any of the ebooks, add your school logo, negotiate a special price for a determined number of students, or make other suggestions of customization, do not hesitate to talk to us. We are VERY FLEXIBLE. Make your ebook UNIQUE!

The objective of these eBooks is to expose the students to high art while having them practice English, fulfilling, therefore, one of the tenets of effective language acquisition: providing a realistic context for the language to be learned and practiced as a means to an end. Your students will love to practice their English discussing  and doing writing  tasks based on the works of these great artists.  The activities are highly personalized, so the students can express their own opinions and feelings. This is a proven way to make language acquisition fun and effective by creating in the classroom an atmosphere of interest, motivation and personalization. Each activity is clearly correlated to the COMMON EUROPEAN FRAMEWORK OF REFERENCE (CEFR), and the level is stated next to it. Ideally both you and your students should purchase the material.  For heads up activities, project the images on a white wall. Chose your favorite artist and click on the corresponding  image below to go to AMAZON.COM and get your e-book:

If you need more instructions on how to purchase the eBooks, please click here: http://wp.me/p4gEKJ-1Cz

Jorge Sette.

Teaching English with Art: Picasso


Click on the image below to download your book FROM AMAZON.COM

You will never have bored students again.

Teaching English with Art: Picasso

Teaching English with Art: Picasso

 

For other eBooks of the series TEACHING ENGLISH WITH ART, please click here:

http://wp.me/p4gEKJ-1lS

Check out the video clip  on our eBooks below:

Au revoir

Jorge Sette

How to improve language learning materials


Having just watched the wonderful documentary Africa on Netflix, I realized it’s both worrying and marvelous to find out how little I know about my own planet. The advantage is this means I will be learning until I die. No chance of running out of subjects. Besides, I don’t even need to be concerned about getting to quantum physics or the theory of relativity, which I’m sure would exert a brutal amount of effort on my limited brain: there’s much more basic stuff for me to absorb and immerse myself into before crossing the great divide.

How wonderful learning is. Especially with the tools we have today: millions of video clips on YouTube, Khan Academy lessons , all the info available on Google, MOOCs, all the ebooks you can instantly download from the Internet for next to nothing, blogs on all kinds of topics, apps, podcasts, to say nothing of the huge amounts of info shared by your friends on social media sites (including the cute cat videos!).

Knowledge Is Power by Rockwell, Norman

Knowledge Is Power by Rockwell, Norman

It saddens me that today’s kids will take all this wealth of knowledge and its tools for granted, and many times will prefer to settle for the silliest and most irrelevant games on the Internet. I consider myself lucky to live in this exciting era where we have all this info at our fingertips. All this change has been happening in the last 25 years and it’s hard to believe how different life was in the 1980s. It’s a blessing that those who want to self-educate and choose their own paths through the intricate jungle of information are able to do so. Of course, guides (teachers, tutors, mentors, collaborators) will always be helpful, but it’s liberating to know you can discard them and plan your own journey of discovery if you wish to.

Considering all these tools available, I started thinking what it is that language learning materials are lacking and how these new tools could help us, publishers and teachers, improve them. I have been in this field for more than 20 years now and it’s undeniable that books and other didactic materials evolved a lot throughout these years. However, they are progressively going in the same direction, looking more and more like one another, to the extent of becoming almost a commodity. You can’t tell significant differences between them on the shelves of a bookstore.

One of the main things that print course books cannot do is personalize the lesson to the extent it should be done to meet the different students’ needs, forms of intelligence, learning styles, and paces of language learning. A simple example is a student should be given the right to pick the genre of text he wants to read for the contextualization of the language point he’s been studying. A course book cannot do that. It would make it clunky and extremely expensive to offer in print alternative choices for all the texts they should comprise. An ebook, on the other hand, could offer this variety of choices in a much simpler and affordable way.

A student, now and then, should also be able to choose how to practice the language of the lesson: does he want to follow up doing a writing exercise, a listening comprehension or a reading activity? Does he want to translate a piece of work? Is he allowed to speak to someone from another country through Skype to practice? We can’t offer that range of choices yet in a coordinated and organized way.

Therefore personalization – or lack thereof – is the main problem of print course books or other more traditional materials for language learning. Some digital platforms are already dealing with this. A lot of personalization can be done as homework and be monitored by the teacher through a number of LMSs (learning managing systems) already available. But a lot more is needed. It would be necessary, for instance, to flip the classroom in a radical way, using the time in class for more relevant and interpersonal activities that would be done better involving a real teacher and a group of learners, while the students would deal with the information acquisition on their own time online, outside the classroom.

One More Week Of School And Then by Rockwell, Norma

One More Week Of School And Then by Rockwell, Norma

Moreover, despite the fact that we all agree that language is more effectively learned embedded in content (CLIL – content and language integrated learning), books for children and teenagers do not normally cover the important areas of personal finance, politics, or economy – a growing need in the diverse and complex society they’re entering. I haven’t seen any language books focusing on Emotional Intelligence as part of the curriculum either. If we all agree that teaching through content is the best way for the students to internalize a language, why not offer them this kind of very useful training: recognition of feelings, how to deal with anger, how to negotiate conflict with their classmates, strategies for incorporating diversity, how to delay or postpone gratification? We already teach social values, which is a great step forward, but we don’t focus on interpersonal relationships as content, an area that could be beautifully and effectively covered through language teaching materials.

Cousin Reginald Spells Peloponesus by Rockwell, Norman

Dealing with conflict. (Cousin Reginald Spells Peloponesus by Rockwell, Norman)

Another ideal way of adapting course books would be to cater more intensely for the students’ different learning styles: visual, auditory, kinesthetic. It would be amazing if the presentation of a language point and the activities following it could be personalized according to the strongest style of each student: do they wish to see a video explaining the point, do they want to read about it, would they rather engage in a hands-on discovery activity and find out the solution for themselves? The new tools of technology all make these options possible. All they need is to be presented in a more coordinated way by teachers and publishers so the students are guided through their personal journey towards learning. In summary, language learning materials need to provide a much more flexible structure and remain the backbone of a process that requires individualization.

You are more than welcome to share your ideas on how to improve language learning materials in the comments section of this blog.

NOTE: You might want to check out our eBooks available  from AMAZON.COM . Click here to know more about our series TEACHING ENGLISH WITH ART: http://wp.me/p4gEKJ-1lS

 

Teaching English with Art

Teaching English with Art

Au revoir

Jorge Sette.

 

Webinar: one of the most powerful tools to close a deal.


Webinars have been around for a while now, and, therefore, they’re not considered the sexiest media by marketers any longer. It comes as a surprise, though, that, among the social media available, they are demonstrably the one that brings in the most number of conversions and sales. Pretty sexy, in my opinion, huh?

Webinars are a social medium, because, just like Twitter, Facebook or Instagram, they boost the creation of a community and generate a lot of interaction between the participants. The sessions themselves have a limited length of time– 75 min is the usual – but, just like a live in-person event, they bring people together who can then sign up for your company’s website or Facebook fan page and become a member of a community just like any other.

Most webinars are done live, although, depending on the software or service you choose to use, the session can and should be recorded for later viewing, in case some of the participants cannot make it at a certain time of the day.

I remember the first time I ran a webinar – facilitating the presentation of famous authors of a publisher I used to work for – with the objective of educating the participants on the new methodology of the English language teaching material we were launching, and, as a consequence, selling the material to the school or teacher who might feel it fit their needs. Being the first time on my own, I was kind of nervous, but then I relaxed and started to have a good time myself. The speakers, at first, were a bit stiff themselves, but then they got in the mood (of course, we all had rehearsed and had been carefully trained many times before) and the session was as a huge success.

Customers watching a webinar

Customers watching a webinar

There are basically three phases to a webinar: the promotion, the session itself, and the follow-up. If all these phases are implemented properly and carefully, the event will go as smoothly as it should, otherwise the session will flop, and the conversion rates and sales results will be disappointing. After all, a webinar is like any other marketing tool for collecting leads and selling the product. Some webinars are so powerful that the conversion from prospect to lead to buyer occurs during the session itself, and the client either makes the purchase online after the webinar or requests the visit of a rep to complete the process. Let’s talk a little bit about each of the phases of a webinar:

The Promotion: creating the buzz

After deciding on the best webinar provider for your company and having had extensive training on it, organize your first event. This does not differ much from how you promote your live in-person conferences, except for, in your communication with the customers – be it online (email, banners, Facebook posts); print collateral/invites that your sales people will hand out to VIP clients; or even phone calls – make sure to reinforce the main advantage of the webinar: the customer will be attending a high-quality session and interacting with people from all over the world from the comfort of their own home or the desk chairs in their office. Many clients still resist the concept of webinars initially, as they will have never taken part in one. Even the reps, if not properly trained, can damage your effort by not explaining to the customer the value of attending a session under these ideal conditions. All the clients need is a computer with an Internet connection. Remember to send out invitations to the event a least 30 days before the session, and be prepared to send two or three reminders afterwards if you feel the registration is low. By the way, make the registration process very simple (ask only for their names and email addresses). You can add more details about them later.

The session and its different parts

When the great day arrives, make sure you, as the facilitator, and the speakers, who will probably be in different parts of the world, get together online at least 30 min before the session starts in order to run some technical tests of sound and image and make sure everything is in fine. There are always some customers who arrive early, either because they are excited, or because they themselves want to make sure they can get in easily. Greet these people warmly, explain them that the session will start in X min (remember they might be in very different time zones) and ask them questions such as how they found out about the session, where they are watching it from, are they alone or with other people, etc., to warm them up. The webinar provider usually has a forum section (or chat room) where the participants can chat with each other by entering their questions, answers and comments in writing. So expect a lot of interaction among them even before the session starts.

When the time is right, introduce the speakers, present the agenda of the webinar (it is a great help for the audience to know what is going to happen, so show a slide with bullet points telling them the plan). In the phase of the preparation for the webinar, ask the speakers if they would feel comfortable telling a story related to the content they will be presenting to open the session. We love stories and this is a great way to break the ice. Of course, the story ideally tells of a problem and its solution – which will be the product/service you are promoting. The speakers mustn’t make it too long, as some attendees will want them to jump straight into the content itself.

Then the speakers start the session per se. If the speakers decide to make it more interactive – which I strongly recommend – they should ask questions during the presentation and teach the audience how to react by using the different buttons available on the dashboard on their end of the interface of the webinar provider: they can say YES/NO, they can insert emoticons in the chat section applauding a point the speakers made, or laughing at one of their jokes. They can also make comments in the chat section. They love it.

When you finish the content part of the session, you or your speaker need to put on your sales hat, and smoothly, transition to a sales close. Ask if they liked what they heard so far, if they have any questions and whether they are ready to purchase it. This is called CLOSING in sales, and you need to do that, if you are using the webinar for business. Afterwards, set up a quick Q&A slot: 15 min max. They can ask questions about anything: the content of the session or the product/service itself. Some will buy on the spot, others will need more time to think about it. Fair enough. For those who need more time, you will establish the third phase of the webinar:

The Follow-up

Both live in-person events and webinars need to pull the prospects along the sales funnel leading them to make a purchase. After the even,  you will hopefully have many converts, but they need to actually take the action of buying your offer. This third phase is essential: your reps could schedule a demo at their office to continue the conversation; you could set up an email marketing campaign highlighting the benefits of the product and expanding on what was not said during the webinar; you can send them more info via an ebook or brochure. However, don’t lose track of the participants of the webinar. Make sure they join your community (website, blog, Facebook fan page, etc). Otherwise, you will be just wasting your time as a business person.

There is a lot of info about webinars on the web and many tips on how to conduct them. The more you read about these sessions, the more confident you will become to start producing them. They are very effective. Don’t miss on this opportunity to close deals.

Au revoir.

Jorge Sette.

 

 

 

 

How to Train Adults Effectively


You may have heard the term ANDRAGOGY. No, it’s not something you need to treat and there’s no need to be scary if you find out your husband is into it. It’s simply the word we use for “pedagogy” when the learners are not children.

Although there are many overlaps between the processes of teaching adults and children – they both love learning through playing, for example – there are some differences too. And those differences must be taken into consideration, if you are designing a course or training session for your employees, or other adult participants.

Some of the differences, established by Malcolm Knowles, an American Adult Educator of the XX century, are, for example, adults need to know why they are learning; adults wish to take responsibility for their learning, so they should contribute and take active part in the process; they have already a wealth of experience to build on and the new items to be learned (knowledge, skills, or attitude) will add to their baggage; the purpose of learning must be objective and perceived as relevant, which is, to help them with their lives or give them pleasure; they are more willing to learn things that meet a specific need or desire; they are more likely to be moved by intrinsic motivation (self-steem, for example) than extrinsic (rise in salary, promotion, relocation, etc).

Having established these basic differences, we must also add that both kids and adults have, individually, different learning styles (visual, auditory, kinesthetic), and some are more likely to use either the more analytical (left) or the more creative (right) side of the brain. These individual differences must also be taken into account when you design and develop a training course. I know, you must be thinking by now that, unless you are a teaching on a one-to-one basis, you can’t possibly cater for all these needs and idiosyncrasies. The good news is yes, you can. Let’s list here the basic steps you should take in putting together an effective training course for a group of adults. I will be using examples from a very successful course I created while I ran a consultancy service called Tutor in the mid-nineties, The course Pronunciation for Brazilian Teachers of English attracted hundreds of teachers every time it was offered at different venues and times all over the country. Sometimes these were open events, for which any teacher could sign up. Other times, these were tailor-made or adapted modules for specific schools as a service for their teachers.

Training adults effectively

Training adults effectively

Obviously, it’s not possible to cover all the details of a well-designed and implemented training course in the space of a blog post. This is not my intention. But I promise to come back to the topic periodically as you ask questions and comments on this overview of the mains steps I give you below:

1. Needs analysis: being a Brazilian teacher myself, I identified very early on that most teachers in the country had a huge gap in the knowledge and practice of pronunciation. They spoke English – some better than others – but very few had actually learned or knew explicitly about the different phonemes of the language or the mechanics of pronunciation. Many were not familiar with concepts such as stress and intonation either. Therefore, most of them, in their classes, tended to skip teaching the coursebook sections that dealt with these areas of the language. The famous English phonemic chart you can find on a number of websites, DVDs, or apps today was not so easy to access back then. So this was a big opportunity for me to start a business and help the teachers. On the other hand, when I gave tailor-made courses at specific schools, I had to unearth the real needs of the teachers and how much they already knew about the subject, so I could adapt the off-the-shelf course I’d already put together. In these cases, you do your research through oral interviews with prospective participants and supervisors, through written questionnaires, through focus groups or by watching some of the teachers at work.

2. Design: now that you know the participants’ needs, you must define how the course is going to be delivered: is it going to be presential, done via a webinar or blended? In addition to that, you need to determine and write down the learning objectives of the course. What is expected from the participants in terms of performance as they finish the training session? What is going to change?  Of course, the clearer you state these objectives, the more effectively you will create and apply the materials you are planning for the course. A typical objective would be, for example, by the time the teachers finish this first module of the course they should be able to recognize and reproduce (orally and in writing) all the individual symbols that represent the phonemes of the English language and use them in clear contexts (as in specific words). You will notice that the objective follows the popular formula S.M.A.R.T (specific, measurable, achievable, relevant and time-bound).

3.  Development: this is the hands-on phase of the process, when you are going to create all the different materials that will compose the course and help you impart the content of the sessions (deductive approach: lectures), or lead the students to discover parts of it by themselves (inductive approach, discovery), and finally practice and discuss the learning points. Remember you are creating a course for a number of individuals with different types of learning styles, tastes and ways to use the brain. So variety is the key. Always start with a relevant icebreaker or energizer to create an atmosphere conducive to learning and give the participants a chance to get to know each other from the beginning. Believe me: these warm-ups will make your job a lot easier later on. Especially if they are thematically linked to the topic of the course. Keep the pace fast (that’s the rhythm most participants are used to in today’s hectic world and keep alternating and using diversified activities: short lectures with the help of visuals such as slides (note: even during these lectures, make the process learner-centered by getting them to participate actively, through questions, for example, or comments); games;  guided note-taking (students fill in the gaps of sentences previously written in the handouts;  physical activities (involving movement), pair work, group work, debates, etc. I know, it can sound a bit overwhelming. But it’s doable. Remember: the longer the course the more variety it requires and you will have more time to apply different activities to suit as many different learning styles as possible. If the course is short, or broken down into modules, you will have to prioritize.

4. Implementation: this is the great moment you and your trainees have been expecting. You are putting all your preparation in practice. if you have the chance to run a small pilot with a group of volunteers before that, fine, but most trainers cannot afford the time to do that. Try and include during the ice-breaker, or before that,  a moment when the participants will be able to express their expectations regarding the training. Of course if you did the needs analysis well, there will be no surprises here. But maybe you’ll have to make small adjustments to fit their unexpected hopes. Flexibility is an important characteristic of good trainers. Try to exercise it. As the session progresses and you get more comfortable with he group, allow for more participation,  become more of a facilitator to the process, call them by their names (name tags or desk tents with their names written on them are a must), and carry on making adjustments whenever needed, especially regarding the time each activity lasts. You may have to shorten an upcoming task if the current one drags for too long. Create a detailed schedule for yourself so you can keep track of how much time each activity should take. In long courses, things may get out of hand if you don’t stick to this timetable. Do not forget to have breaks throughout the course. Most people are fueled by caffeine these days or they need to stretch their legs  and walk around after long hours sitting down.

5.  Closing: at the end, allow time for feedback and final questions. You can devise interesting activities for that too. Ask questions about what they think should be done as a follow-up to the session. Or explain the follow-up plan you have already designed: job aids, individual couching, accompanied visits to clients, lesson-monitoring for feedback, etc.

You will not have to start from scratch every time you design a course. I used some of the materials and activities I created for my initial course for years, with small adaptations now and then, to suit different contexts or to update them. But it’s good to understand and go through the whole creation process a few times to make it fresh.

Training is a field that is growing and more professionals will be needed. If you are interested in it, start educating yourself: read as much as you can on the topic, follow blogs, enroll in training sessions as a learner, and participate in conferences. It’s a very hard and demanding job, yet very exciting and varied. Good luck.

Au revoir

Jorge Sette.

Four Amazing Ideas from TED talks on Education.


If you are a regular reader of this blog you probably love the TED talks as much as I do. I make a point of watching at least one a day. There is always something to learn from them. Even if you don’t find the content that interesting, you can always profit from the speakers’s way of getting her points across, and copy some of the techniques to hone your own presentation skills.

This weekend I needed a break from binge watching Netflix’s THE KILLING – which I did last weekend – and, as consequence, must have put on a couple of kilos, having raised my consumption level of popcorn and ice-cream considerably, while following detective Linden (Mireille Enos) drive relentlessly in the rain along the streets of Seattle. So I chose, instead, to raise my usual share of TEDs’ intake, which was very sensible of me, since they feed the mind and soul rather than the body: I usually take notes while watching them, which stops me from grabbing the popcorn or digging into the ice-cream.

This is a list of 5 interesting takeaways I collected from some talks I’ve recently watched. They are all on education. The summaries are not quotes but my own interpretation and wording of the ideas. I strongly recommend you watch the clips as a way to contextualize my comments better.

Here is the list:

TED Talks

TED Talks

 

1. From “A 30-year History of the Future” (by MIT Media Lab founder Nicholas Negromonte).

In 30 year’s time you will be learning English by taking a pill. It will travel though your blood stream and reach you brain, formatting your neural connections accordingly. Well, based on Negromonte’s strong track record of predictions that were eventually realized, I would not discard the possibility.

2. From “Let’s Teach Kids to Code” (by Mitch Resnick, Director of the Lifelong Kindergarten group at MIT Media Lab).

There’s not much difference between the so-called digital natives and the rest of us. They are very fluent in gaming and using apps, but not in creating them. Their attitude to technology is overall very passive. They need to learn how to code to really be able to fully express themselves through technology and make use of all that is available. He compares technology to a natural foreign language: kids at this point are fluent at reading it but not at writing. He proposes we start teaching kids to code immediately to make a difference. Besides, coding will teach them not only this new “language” but a whole lot of content that can be expressed through it: just like the Content and Language Integrate Learning (CLIL) approach some of us use to teach English.

3. From: ‘Want to Innovate? Become a ‘now-ist’ “ (by Joi Ito, Director of the MIT Media Lab)

According to the speaker, learning is not education. The former is discovering things for yourself actively, the latter is about passing on knowledge to someone else who’s passively at the receiving end of the channel. Learning is what really matters today, if you want to become an innovator. To engage in learning you have to be connected, pro-active and very rooted in the moment (a now-ist). You must be alert and strive to be aware of everything that is going on around you. It’s necessary to seek collaboration from peers online, developing skills on how to get useful people together on your network to make your ideas happen as soon as possible. Not much planning is required to put out your innovative ideas. Don’t waste time overthinking what the outcome will be like. Adjust and learn as you move along. “Demo or die” (quote from Nicholas Negroponte he uses in his talk): ship your concept as fast as you can.

4. From “How the worst moments of our lives make us who we are” (by writer Andrew Solomon).

This is about education in its broader sense. The speaker, in a beautiful and moving talk, much in the vein of Oscar Wilde’s De Profundis and Philip Roth’s Nemesis, claims that the key to happiness is to “forge meaning and build an identity” for yoursef out of the worst adversities that may have struck you in life: be it imprisonment and ostracism in the case of Wilde at the end of the 19th century; contamination by polio in the early 1940s for the characters of Nemesis; or, as in Solomon’s personal account, exposure to cruel bullying at school and prejudice at large in today’s American society for being a homosexual. Meaning is not out there to be found, it’s a narrative you have to build from within and then invite others into. Just like Wilde and Roth, Solomon proposes you take full ownership and responsibility for your failures and falls and, maybe through love and art, re-create yourself to grow and be complete. Don’t miss this one!

I guess this is it for now. Enjoy you TED talks and please suggest some as you rate and comment on this post.

NOTE: You might want to check out our my series of eBooks TEACHING ENGLISH WITH ART,  available  from AMAZON.COM 

Click here for more info: http://wp.me/p4gEKJ-1lS

Au revoir

Jorge Sette.

Let’s corrupt the youth!


They were right after all. We are seeing a comeback (were they ever really gone anywhere?) of some of the old theories about learning and how teachers should conduct their lessons. Edtech is making possible the practical application of the Socratic method, of Paulo Freire’s pedagogy, of Vygostky’s studies and experiments. All the other pedagogues who have advocated more direct involvement and participation from the students in their own learning are being vindicated and having their theories confirmed and validated.

Some of the methodologies we see in use today are becoming possible because of the realization of individualized learning. It boils down to a student facing her app alone in her bedroom to start with. And from there we can exploit the use of questions (Socrates) to lead that student further and further on the path to the right answer, or, even better, to her own answer in the case of a more abstract problem (such as moral, ethical or political issues); we can personalize teaching to make the context more relevant for each of the students, and therefore resonate with them (Paulo Freire); and we can flip our lessons, having students reconvene in class afterwards to cooperate in solving problems (Vygotsky), after having spent time alone in their homes doing research, reading, watching TEDs or other relevant videos on YouTube.

The Death of Socrates. Rosa, Salvator.

The Death of Socrates. Rosa, Salvator.

We have always known that personalization, cooperation and inductive approaches worked fine.  They have the power of grabbing the students’ interest and attention, keeping the findings longer in their memory. We’re clever teachers after all, we do our homework as well, we went to college and were fascinated by Plato and his dialogues, we felt invigorated by the potential and possibilities of the pedagogy of Freire; and we could easily see that pairing off weaker students with strong ones who would pull them along zones of proximal development made total sense.

But we lacked the means to make it happen. How to apply these exciting methods to classes of more than 30 students (or even more sometimes)? How can a single teacher dedicate enough time to the needs of individual students in these conditions? How much time is there outside the class for teachers to mark essays and homework, to create interesting lessons, to prepare the long  – and possibly very boring (for the students) – lecture to present on the following day?

The good news is things are changing. More and more, the new technology being created will allow us to go back to the masters and make the most of their wise insights and theories. Few teachers doubt that learning is up to the student. It’s their direct responsibility. Teachers are important channels and organizers of the different methods students will have to use actively themselves on their way to discoveries.

Let’s not be afraid of using apps, audience response systems, flipped classrooms and LMSs  in our schools to recreate the necessary conditions to hand learning back to where it belongs: the students! Socrates was sentenced to death for doing exactly that. They called it “corrupting the youth” back then. Well, “Toto, I’ve a feeling we are not in Kansas any more”. Let’s corrupt them!

NOTE: You might want to check out our eBooks available  from AMAZON.COM: 

TEACHING ENGLISH WITH ART: MATISSE.    Click here for more info: http://wp.me/p4gEKJ-1kP

TEACHING ENGLISH WITH ART: PICASSO.    Click here for more info: http://wp.me/p4gEKJ-1lA

Au revoir,

Jorge Sette.

What are your questions about the future of education?


This is going to be an unusual post. We won’t be giving you any solutions, only problems and issues to consider. All of us who work in the field of education, either as teachers, school owners, publishers or booksellers are worried about the future of our business, or should I say, our mission. From the get-go, I would like to state my position regarding education, so it’s clear and can inform the vocabulary I might use throughout this post. I think of education as a business. Not just like any other business, but a very special and interesting one, as it is the source of human development and betterment. However, in a capitalist society, education is regulated by the same principles of supply and demand of all other businesses.

My objective in this post is simply to raise five of the questions I’m sure most of you share with me. I propose we start searching possible answers, reading up on the topics, and begin a debate on each of these issues. You are more than welcome to use this space (my blog LINGUAGEM) to share your views and ideas on the points listed below. My questions concern these following points:

The School of Athens (detail) by Raphael, 1509

The School of Athens (detail) by Raphael, 1509

1. Teachers. My first question is, of course, will we have a job in the future? As teachers, and other professionals of the education business – publishers, school owners and booksellers – I anticipate the answer will be yes (fortunately), but our jobs will change a lot. More and more the ball will be on our clients’ court (students and parents) and, as a consequence, we will have to adapt and try to reach them directly and on their own terms if we want to survive as professionals. They will have a strong say on everything regarding education: the kind of teacher they prefer, the methodology, the learning materials they will use, and how they wish to purchase them.

2. Methodology. What will be the most popular and preferred way of learning? We have always known learners have different leaning styles and are stronger and weaker at different forms of intelligence. One solution fits all will not do. Therefore, I suspect, we will see a lot of blended learning, with great variation on the percentage of online learning versus classroom lessons. Also, how much of this online learning will be self-learning or involve a tutor or teacher helping them out outside the classroom? In what situations will inductive/deductive approaches work best? The importance of learning pace is also another point to be considered: will these students require more individual lessons or profit more from a group learning environment? How much of the class will need to be flipped, when students deal with the theoretical points at home on their own and then come to class to solve practical problems, discuss doubts or simply apply what they learned in a more controlled environment.

 3. Learning Materials. I’m pretty sure print materials are on the way out, as ebooks can offer all the advantages of print ones, and a lot more. If we already prefer to read novels on the Kindle, what to say of the possibilities inbuilt in a multimedia biology or history educational kit, which will allow them to watch a living cell divide itself or a dramatized episode taken place during the Renaissance played out as a video clip at the click of a mouse. Gaming, in addition, will make learning a lot more active and interesting, stimulating parts of the brain a lecture could never achieve to do. However, there is plenty of room for variation within online learning. We need to consider, for example, the best length of video clips to make retention more effective; should each 5-min footage be stopped and followed by a short quiz? What works best: animations or reals actors? Could a simple replication online of an old-fashioned blackboard with a teacher writing on it and explaining the teaching point work? The latter is exactly what Khan Academy does: except that the teacher is exceptionally good and the classes work like magic! Have you ever had trouble with algebra or trig? Try the modules on Khan and you will enjoy the beauty and magic of concepts that seemed arid and boring when you were in high school.

4. Schools/Colleges. What kind of changes will brick-and-mortar schools have to go through to compete with online learning? Blending is the first thing that comes to mind. But if teachers won’t be lecturing and classes are really going to be flipped, what other kinds of special services could schools and colleges provide to attract and retain clients? It’s really exciting to think about this. The moment we understand better how our brains absorb and/or create knowledge, we may need to hire psychologists, speech therapists and neurologists as part of our regular staff to help our learners out and differentiate our schools from the competition.

5. Metrics. Adaptive learning. How are we going to measure and adapt our teaching to the specific needs of students? What international scales, tests and certifications can be created to align consistently the different approaches across different institutions and regions?

These are all very big questions and require a lot of studying and research before we can come up with the right answers. Besides, the process is really dynamic and won’t stop. It will continue evolving and throwing new lights on education and the learning process. These are really exciting times we live in if we are in the field of education.

My recommendation is start reading up and updating yourself as much as you can on what is going on in the field and start experimenting with new forms of teaching, writing, reading, producing and selling learning materials right now. We don’t want you to have to struggle to catch up.The future of education has already started.

I guess this is all for today. Don’t forget to share your views and make your comments about those topics as you leave this page. We’ll be delighted to read them.

Note: you might want to check out our new book TEACHING ENGLISH WITH ART: MATISSE   available  from AMAZON.COM as an ebook.  Click here for more info: 

http://wp.me/p4gEKJ-1kP

Au revoir

Jorge Sette.